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Showing posts with label concerts. Show all posts
Showing posts with label concerts. Show all posts

Thursday, March 20, 2014

Lindsey Stirling: South by Southwest and Beyond Series - Part 3 - Technical Difficulties

Hey Folks! Pregame time is important. I call this period before he concert "pregame" because it has the same feel to me, from the perspective of the entertainer, as I had getting ready for a fotoball game when I was an athelte. There are nerves, prayers, moments of intense concentration and warm ups. I got a chance to watch Lindsey and crew at their pregame, and it was quite a bit more intense than the soundchecks fans can pay to attend at typical Lindsey tour sound checks. The original article is in Italics once more.

It only took five minutes to get inside the Blind Pig Venue, rather than a few hours, but as I walked through the door I saw band members from other performances of the night wandering all over the place, and I had to wonder what I would do if I ran into Lindsey. My goal if that happened would be to reestablish professionalism and demonstrate respect without overstaying my welcome. I kept an eye out for Lindsey and her crew, but if they were even in the same building they were well sheltered and hidden away from the mob of rooftop partiers. This was just as well in my mind, because as I made my way to a covered rooftop, the stench of pot increased. I estimate this rooftop to have been about the size of a football field, split into two sections. A stage was set up at the furthest point away from the street. A Vanilla Ice-type rap artist with foul language was performing, and once I figured out a side route to the front of the stage, I settled in to wait for Lindsey.

I never had to deal with technical difficulties, though. Has anyone ever had to try an make sure their instrument was in tune with a crowd chanting at you or loud music playing  in the background? I think it was a good thing Lindsey, Gavi, and Drew have worked together so long and know each other so well. Had this been their first tour I don't think they would have worked through these issues with such a cool demeanor.

Two hours later her stage crew and her two band members escorted her through the middle of the crowd to the stage. They were scheduled to begin their set at one in the morning, but there were technical difficulties. Somehow, Lindsey managed to tune her instrument over an intense drone of crowd noise and other music. I got the impression she has mastered the violin enough to the point where she can feel the music she plays, more than hear it. Her Keyboardist, Jason “Gavi” Gaviati had to maneuver two huge keyboards through the crowd and up onto the stage, and after he finally had them set up they would not play like he wished. Her drummer, Drew Steen, had a set of drums from the venue that every band had been using, but he still seemed to flounder a little getting used to them. At about fifteen minutes past the hour they were ready to begin.

Below: Lindsey and Gavi discuss set up issues
photo 2 (1)

A simple chant begins while these issues are being worked out.

“Lind-sey, Lind-sey, Lind-sey.”

I join them. She makes an over-dramatic show of humility, waving the crowd off from their chant with a bemused smirk. She’s like this during the whole set up, alternating between intense concentration on her pregame and spurts of impish fraternization with the audience. The stress of setting up her unique equipment in a noisy and somewhat nauseous environment could have consumed all of her attention, but she takes time to smile and wave at individual fans, lean down and shake hands, and welcome as many people as she can.

Lindsey has a natural crowd leadership ability not all entertainers have. Every time she speaks to the crowd she adds energy and usually gets the response she is hoping for. She has so much fun on stage her audience cannot help but join her.

Gavi would explain to me later that one of the issues was the keyboards were not giving him the sound he wanted. This would effect the quality of the new song, "Beyond the Veil". However, even at a lower quality this song was still amazing. They have some fun antics planned for the tour so prepare yourselves Lindsey fans.

Tuesday, March 18, 2014

Lindsey Stirling: South by Southwest and Beyond Series - Part 1 Sixth Street Woes

Hey bloggers and followers, Sorry I have been away for a bit. I will resume my series on Veterans non-profits soon, but first I wanted to break down an article I did. This continues a series I will be doing on Independent musicians like the article I did on Peter Hollens (Look for it in a brand new magazine this April). This time, I cover Violinist Lindsey Stirling - but I want to change my writing style. Today I just want to cover what Sixth Street was like at South by Southwest, and introduce the topic. The full article can be found on my website blog if you just can't wait and like a longer read. Passages of the article are in black Italics.

Sixth Street. It’s more than a line of bars and venues. It’s more than the street musicians and the drunks. It’s more than the record stores and Korean Barbeque stands. This is Texas culture. It’s a crossroads for every type of music, every type of film, and the birthplace of many dreams.
I navigate this street with caution at the height of South by South West. Vehicle traffic on Sixth is blocked for Austin’s acclaimed music festival, and parking in the surrounding areas is scarce. Thousands of pedestrians mill about a stretch of road not more than two miles long.

Does this get your attention? Are you interested? Let me know in the comments.


Only Mardi Gras in New Orleans or perhaps Carnival in Rio De Janeiro can top this grand spectacle of the wonderful, weird, wild, and stupid. I pass by a street musician with a clarinet and toss a dollar into his jar even though he is only playing scales. Next I dodge a bicycle chariot as I cross through a traffic light. The light still changes in its normal rhythm even though it is rendered useless for the weekend. I try not to inhale too deeply, as the sickly sweet smell of lit marijuana assaults my senses. A few blocks later I have some difficulty finding a route through a large crowd surrounding a few break dancers. I squirm between layers of people and somehow make it through by walking close to the club entrances. My destination is a two story bar and venue called “The Blind Pig”, and the email I relieved a few hours before has me terrified that I will be waiting in line for hours just to get into this place.

I like dropping my readers into a scene and establishing a setting. There should be a sense of adventure here. Just for fun I include a picture. Are you not sorry you didn't come to Austin?

photo 3 (1)

The email, sent to me from a website called pledgemusic.com, confirms I have a special spot reserved for a hastily arranged concert. The show is meant to cater to three hundred loyal fans of violinist Lindsey Stirling. She has a new album coming out this May. The title, “Shatter Me” hints at music with a deep emotional connection to the artist. This is an account of Lindsey Stirling at South by Southwest from the perspective of a longtime fan. On a deeper level, this somewhat lengthy article is about achieving dreams—not only on how to achieve them but to do so within the space of reality while avoiding dangerous fantasy.

There is a bit of a funny story behind this invitation. Someone tried to message me about the event on facebook but they were asking if I had "pledged." Since the concert I knew about on Saturday was a charity event for VH1's save the music, I thought I was being asked if I had made a donation. What they meant was the website pledgemusic.com. A "derp" moment for me for sure.

Tommorrow I will cover a few thoughts on fandom and its potential dangers.